Sunday, August 22, 2010

flyphonic - mosaic



"Mosaic," the debut release (2007) from a duo of Swedish beatsmiths called Flyphonic is a sick blend of hip-hop, jazz, and soul featuring Sweden's finest MCs and jazzers. It's pure sonic bliss. It's ear candy. Put it in your headphones and escape for a while. There isn't too much I can even say about this record.

Just listen to it.

DIG

Monday, August 16, 2010

Free the Robots - Ctrl Alt Delete

Well, I'm really sorry for double-posting here, but as I've been away for a few weeks, I feel the need to do some catching up. I just appropriated Free the Robots' latest release (from March 2010) and as I write this I am thoroughly enjoying its assault on my aural cavities.



Imagine that Nosaj Thing and Flylo had a baby, and that Shlomo and Starkey were the godparents. This would be the music that the baby would listen to while exploring futuristic cities at night. In a space-car.

Sunday, August 15, 2010

Four Tet vs. Mala - Nothing to See / Don't Let Me Go

Well, I just got back from a somewhat successful tour to find that this little gem had been released while I was sleeping on strangers' floors and getting progressively smellier from city to city.

It's Four Tet, everyone's favorite weird-looking Britain on a split 12" single with Mala of Digital Mystikz. This disc was released on July 30th as a promo for an upcoming Soul Jazz Records release called (as seen above) "Future Bass," which will feature exclusive tracks from the two aforementioned beatsters as well as Black Chow, Coki, and Others.

Four Tet's track, "Nothing to See," continues in the clean post-house style we heard on There is Love in You. It's about 9 minutes of hypnotism: waves of noise, gritty synths, and mallet instruments washing over the unyielding heartbeat of a kick drum. The result a masterful undulating soundscape of tension and release that leaves you a bit unsettled and ready for more.

Mala follows with "Don't Let Me Go," a dark, ambient-ish dubstep track with plenty of futuristic robot/computer sounds over a choppy, reverb-laden beat. The tune slowly evolves over it's 5 minutes in a linear form, adding element after element as it goes. It also features a melody from dubstep's least likely instrument: an accordion.

So this is some good shit. I can't wait for "Future Bass" to drop in September.